Skip to main content

Philly Style Spotlight: Aso Damisi Blend African Textiles

From food to art and fashion, Philly is a city bursting with creativity. We love to visit whenever we get the chance, but recently Philadelphia Mayor Michael Nutter came to New York City (which he jokingly referred to as a large suburb of his city) along with a few talented graduates of the Philadelphia Fashion Incubator at Macy's City Center.

Aso Damisi: Moriamo (l) and Latifat (r)
The program, modeled after a similar program at Macy's State Street in Chicago, is the first of its kind in Philadelphia and the goal is to support and promote emerging fashion designers from local design schools and the city's fashion community. Four designers in residence are selected each year and Macy's provides them with design and office/work space, a showroom, curriculum, mentoring and other resources.

In particular, the sophisticated African-inspired garments by Aso Damisi (in the Yoruba language "Aso" means cloth and "Damisi" means prosperity) caught our eye. After the event, we chatted via email with 32-year-old Moriamo Johnson, one half of the Nigerian-born sister design duo (her sister Latifat Obajinmi, 24, is the other half) :

Everything She Wants: How and when did you become a designer?


Moriamo Johsnon: While growing up, we have always designed for ourselves using African textiles.  We received a lot of positive feedback and compliments on the garments we made for ourselves, and we were always asked where our garments could be purchased.  About three years ago, we decided to launch Aso Damisi.
ESW: How has the Macy's incubator program helped you as a designer?

MJ: The Philadelphia Fashion Incubator at Macy's Center City helped us to gain a better understanding of the business of fashion, and the key elements needed to run a successful business. 

ESW: How would you describe your designs? 

MJ: Our line is a fusion of our origin and modern lifestyle.  We use bold and colorful textiles inspired by our African origin to create simple and chic silhouettes for women.

ESW: Tell me about the inspiration from traditional African fabrics and making your own fabrics.

MJ: We started the company using traditional African fabrics.  We have since moved into making our own fabrics, so we can have more modern silhouettes to offer.  African prints is available in 100% cotton only.  We want to be able to work with different types of fabrics.  

Me with Moriamo in New York City.
ESW: Who is your customer?

MJ: Our customer is a confident woman, who is not afraid to step out in something fresh and bold.  She is mature, and definitely has an appreciation for art.  

She travels to different parts of the world and has an appreciation for the different cultures around the globe.

ESW: How did your parents feel about you and your sister becoming designers?

MJ: Our parents want the best for us.  They were a little concerned about our choice to start a fashion business, being that it started as a hobby and we both have degrees that are not fashion related.  

I have both undergraduate and graduate degrees in Chemistry and Tifa has a dual degree in Human Resource Management and Labor Relations.  

[But] they are very supportive of the company.  They see how hard we are working, and how much it is paying off.   

Comments

Popular posts from this blog

Alvin Ailey American Dance Theater Comes to Brooklyn, June 5-8

Attending a performance of the Alvin Ailey American Dance Theater is always a highlight of my arts and culture calendar. An engagement with this awe-inspiring and genre-bending dance company is even better when they perform close to home at the Brooklyn Academy of Music.                                                                                                                                         Photo: Danica Paulos Ailey’s long-standing relationship with BAM began in 1969 when the trailblazing choreographer established The Ailey School in Brooklyn and presented his company’s...

DanceAfrica 2024 Returns to Brooklyn Academy of Music

The DanceAfrica Bazaar is one of my favorite annual street fairs. I love to watch folks show up and show out in their flyest Afrocentric garb and to shop for handmade beaded bracelets and earrings from the African vendors.  And when I'm fortunate enough to snag a ticket as I did this year courtesy of BAM, I enjoy watching the kinetic African dancers (this time the country featured is Cameroon) during the spirited and spirit-filled DanceAfrica performance at the Howard Gilman Opera House.   (Photos courtesy of BAM/Tony Turner) If you want to join in the fun, here's the weekend lineup that's truly for the culture. DanceAfrica 2024:  The Origin of Communities / A Calabash of Cultures Artistic Director Abdel R. Salaam DanceAfrica Spirit Walkers, Women Of The Calabash, The Billie's Youth Arts Academy Dance Ensemble, and Siren – Protectors of The Rainforest Fri, May 24 at 7:30pm; Sat, May 25 at 2pm & 7pm; Sun, May 26 at 3pm BAM Howard Gilman Opera House   (Pe...

Alvin Ailey American Dance Theater Graces Brooklyn Academy of Music, June 4-9, 2024

Dance is expression. Dance is spiritual. Dance is activism. Dance is life. I feel most alive when I am listening to music and dancing.  As a spectator and fan, some of my fondest moments of watching dance performances have been witnessing the dignity and grace of the Alvin Ailey American Dance Theater. Every time I see the Ailey company, I am inspired, moved, and grounded in the beauty and complexity of the African American experience.  Photo by Paul Kolnik For me, the highlight is always "Revelations," Mr. Ailey's three-part ode to his upbringing in the Black Baptist church. The three sections -- "Pilgrim of Sorrow"; "Take Me to the Water"; and "Move, Members, Move" -- tell the story of African American faith and persistence from slavery to freedom. Over the weekend,  I had the pleasure of taking an outdoor Community Workshop in downtown Brooklyn, where we learned some of the choreography for "Revelations." I beamed from ear to ear...